And save hours of tedious editing with new drag-and-drop hot zones. Use the zone waveform editor to make precise edits to sample start/end and loop ranges with an option to snap to transients or zero crossings. And the reimagined mapping editor adds powerful time-saving features that speed the creation of complex instruments - including editing commands for automatic mapping, automatic loop finding, and analysing and splitting samples into zones. An extendable modulation section allows you to add more sources and destinations as needed.
An expanded synthesis section with sound-shaping controls brings more depth and dynamics to your instruments - it features twin filters with parallel and serial routings, and five filters modelled on both analog and modern synths. The new single-window design makes it easier to create and edit sampler instruments while remaining backwards compatible with all EXS24 files. 24-bit recording creates a much lower noise floor, while file size will be slightly larger.įor most purposes, recording at 24-bit/44.We redesigned and improved our most popular plug-in - the EXS24 Sampler - and renamed it Sampler. Go to global settings and navigate to audio. Make sure your audio interface is set before recording. Go to the preference by clicking Edit then Preference. But before running the batch analysis, there’s a thing which needs to be done. First, open the program and save the session. You basically just drag and drop your samples into the program and run the batch analysis.
You can choose 24 by checking the box in the Recording menu. In this video, you will learn how to record using Apple Logic Pro 9. You can set bit depth from the Logic Pro X > Preferences > Recording menu.īy default, Logic’s bit depth is 16.
As an Apple Certified Trainer for Logic Pro Rounik has taught teachers, professional. review, tutorials and interviews for modern musician and producer.
There are 6 dB worth of headroom in each bit, so a bit depth of 24 offers 144 dB of dynamic range. In this Hub Tutorial well cover just how to do that in both Logic 8 and Logic 9. Bit Depthīit depth determines the overall dynamic range of your recording.
This could hinder the overall quality of your recordings.Īs a beginner, 44.1 kHz will still serve you well. The only other consideration for higher sample rates is “foldover,” where instruments in an extremely high frequency range have nowhere to go beyond the sample rate, and are “folded over” into the recording. As the human ear only goes up to 20 kHz in the most extreme cases, the default 44.1 kHz is quite adequate. However, the file size will be significantly greater as well.Īs a general rule of thumb, your sample rate should be twice as high as the highest frequency you intend to record. The higher the sample rate, the better quality your recordings will be. The default sample rate is 44.1 kHz with options all the way up to 192 kHz. You’ll find the ability to change sample rate from the File > Project Settings > Audio menu. We’re primarily more concerned with how to set the sample rate and bit depth once a new session is already open. You always have the ability to add more tracks later. Next, you’ll be asked what kind of track you want to begin recording. Logic offers several session templates to get you going, or you can open a new empty project. You’ll have the option of opening existing sessions or creating a new one. When you fire up Logic for the first time, you’ll be greeted by a window asking you what you want to open. He’s an expert in Apple’s Logic Pro X software, and in this lesson he teaches how to create a new session and choose the appropriate sample rate and bit depth!
His unrelenting pursuit of excellence in the studio, and decades of work as a musician has brought him to the forefront of the music industry, where his credits include: TV commercials, emerging artists, and a profusion of live sound engineering engagements. Mark Goslett is a London-based music producer and member of the Music Producers Guild.